Creativity in China: Buzz or Bottom-line?
Wednesday, September 24th, 2008Later this afternoon I will be interviewing Kunal Sinha from the Ogilvy Corporation on ITV-Asia about “China’s Creative Imperative” – his new book and, apparently, our new buzzword. A quick search through the search engines and you’ll see that creativity is a significant Cool New Thing (CNT) for China-watchers to talk about.
Like most long-term residents of China, I have long been aware of the creative potential and practice of the Chinese. I have collected art and ceramics – and I have listened to the excuses of employees and lies of contractors. This raises the main question that we’ll all be dancing around if this new buzzword turns out to be an actual ‘thing’.
Is there Good Creativity and Bad Creativity?
Westerners tend to view creativity as a hierarchy, with ‘lightening-strike’ flashes of genius occupying the top spot. We romanticize the tortured genius and the idiot-savant professor. Westerners like ground-breaking innovation and paradigm-shifting revelation. Pure research inspires awe, but it doesn’t put profits on the bottom line. One pic of a starlet’s crotch earns a fortune in ad revenue, while the Hubble Telescope’s awe-inspiring photos of unseen galaxies were given away free on the internet.
During the 1980s, Japan was at the peak of their commercial arc – and their corporate R&D departments were filing for more patent applications than their US counterparts. But Japanese innovation tended to spring from ‘applied’ as opposed to ‘pure’ research. They took existing products and made them better or cheaper or added features. While this is a potent market strategy for the guy playing catch-up, it tends to run out of road when you are the market leader.
The 800 pound gorilla in the Chinese creativity room is Bad Creativity. Like when semi-literate farm-hands figure out that melamine will pass for protein in milk. Scams, swindles, cheats, counterfeits, piracy, and anti-competitive practices are all forms of creativity. They require no less intellect, wit and genius than other forms of creativity. Chinese people have long bragged that these are just the types of creative techniques that leave outsiders at such a disadvantage in business here.
The rocket scientists on Wall Street and the swindlers in the Chinese dairies were both displaying tremendous creativity – and were quite well-rewarded for it (at least for a while). Our challenge is to make sure that we are not the ones paying the price for Bad Creativity. In a perfect world, creativity and genius are put to the service of society at large. In our world, melamine and mis-priced mortgage-backed securities are the creative solutions that pay the most.
Creativity is not always beneficial. International managers and owners here have a lot to gain from the more creative China – but we can’t be dazzled by flash. As times get tougher in the market, you’re going to start hearing more creative ideas for making bigger profits. Be very sure that you understand what you are really getting involved in.

